| Effective megapixels | 10.28 |
| Megapixels | 10 megapixels |
| Sensor size | Four Thirds |
| Sensor type | Live MOS |
| Sensor size | 17.3 × 13.0 mm |
| Full frame | No |
| Crop factor | 1.86× |
| Aspect ratio | 4:3 |
| Largest image size | 3680 × 2760 |
| Smallest image size | 1824 × 1368 |
| Imaging processor | Venus Engine |
| ISO | 160 – 51 200 |
| Filters | Primary color filter |
| Dust removal | Supersonic Wave Filter |
| Colour space | sRGB |
| Camera body mount | Micro Four Thirds |
| Compatible lenses | Micro Four Thirds lenses |
| Image stabiliser | None |
| Focusing sensor | TTL contrast detection AF |
| Autofocus points | 225 |
| AF sensor working range | -5 – 18 EV |
| Autofocus modes | Single |
| Manual focus assist | Focus Peaking |
| Focus lock | With AF-L/AE-L button |
| Focus point selection | Face/eye detection |
| Face detection | Yes |
| AF assist light | Yes |
| Metering | TTL metering |
| Metering range | 0 – 18 EV |
| Modes | Multi-segment (evaluative) |
| AE lock | Yes |
| Exposure compensation | ±5 EV |
| Exposure bracketing | ±3 EV |
| Shutter | Vertical-travel focal-plane shutter |
| Electronic shutter | Yes |
| Electronic front curtain shutter | Yes |
| Shutter speed | 1/8000 – 60 sec |
| Silent shooting | Yes |
| Bulb shooting maximum time | 30 minutes |
| Exposure modes | Program |
| Scene modes | Yes |
| Drive modes | Self-timer 10 sec |
| Digital filters | Yes |
| Still image continuous shooting | 12 fps |
| JPEG+RAW | Yes |
| White balance modes | Flash |
| WB Bracketing | 3 frames in B/A or M/G axis |
| Video recording | 4K cin 4096 × 2160 |
| Video resolution | [4K cin |
| Other formats | [4K cin |
| Slow motion video | [FullHD |
| Bitrate | [4K cin |
| Log picture profiles | HLG |
| Microphone | Integrated stereo microphone |
| HDMI output | 10 bit uncompressed |
| JPEG | DCF |
| RAW | RAW |
| Movie format | MOV (Video: H.264/MPEG-4 AVC; Audio: Linear PCM stereo) |
| Viewfinder | Electronic |
| Viewfinder type | OLED |
| Screen dots | 3 680 000 |
| Coverage | 100% |
| Magnification | 0.76× |
| Dioptre correction | -4 – +3 |
| Display type | TFT LCD |
| Display size (inches) | 3.2 |
| Screen dots | 1 620 000 |
| Articulation | Fully articulated |
| Touch screen | Yes |
| Coverage | 100% |
| Adjustments | Brightness |
| Live View | Yes |
| Memory card slots | 2 |
| Memory card type | SDHC (UHS-I) |
| Flash type | None |
| Flash modes | Rear curtain sync |
| Flash exposure compensation | ±3 EV |
| Hot shoe | Yes |
| X-Sync | 1/250 sec |
| USB | 1 × USB-C |
| Video | HDMI (Type A) |
| Sound | 3.5 mm headphones out |
| Remote controller interface | 2.5 mm |
| Remote control | Panasonic DMW-RSL1 |
| Wireless | WiFi IEEE 802.11 a/b/g/n/ac |
| Bluetooth | Bluetooth 4.2 |
| NFC | No |
| Other connections | TC in/out |
| GPS | No |
| Electronic level | Yes |
| HDR | Yes |
| Time lapse | Yes |
| Battery | DMW-BLF19 lithium-ion battery |
| Battery life | 440 shots (CIPA) |
| Battery grip model | DMW-BGGH5 |
| Materials | Magnesium alloy body |
| Weather sealing | Weather- and dustproof |
| Color | Black |
| Height (mm) | 98.1 |
| Width (mm) | 138.5 |
| Depth (mm) | 87.4 |
| Weight (body only) | 580 g |
| Weight (with battery and memory card) | 660 g |
| Kit | Body only |
| Package contents | Eyepiece cap |
| Description |
The Ultimate Sensitivity - Newly Developed Sensor
The LUMIX GH5S achieves the highest-ever sensitivity and best image quality in LUMIX history. This is realized by combining the newly developed high sensitivity sensor with Dual Native ISO technology and the latest Venus Engine. Dual Native ISO is a revolutionary technology featured on Panasonic’s professional video cameras and offers the advantages of very high sensitivity while keeping noise levels low. Usually, with a conventional single native ISO, noise levels rise when sensitivity is increased. However, the newly developed image sensor implements dual circuits able to switch to high native sensitivity before gain processing. This means you can achieve beautiful footage with suppressed noise in low-lit situations.
Cinema 4K 60p/50p with Unlimited Recording Time
The original LUMIX GH5 made it possible to record 4K 60p/50p video on a DLSM camera. Now, to greatly extend your creative possibilities, the LUMIX GH5S takes this even further and, for the first time ever, includes Cinema 4K (C4K: 4096 x 2160) 60p/50p video recording. Moreover, there is no limit to the recording time, not even when shooting FHD or 4K video.
4:2:2 10-bit Internal Recording
The LUMIX GH5S brings game-changing internal 4:2:2 10-bit C4K/4K video recording. For example, 10-bit will render all the subtleties of graduated skies and sunsets without the banding so prone to 8-bit. The power of having film creation capabilities inside the camera sets a new precedent in guerilla-style filmmaking. And you can record 4:2:2 10-bit to SD card whilst simultaneously feeding the live signal thru a full-size HDMI port connected to an external monitor or recorder. 4:2:2 10-bit recording enables faithful color and grading fidelity with over a billion colors and four times the tonality of 8-bit to match professional intent.
V-Log and HLG profiles
A neutral or flat logarithmic ("log") gamma curve captures wide dynamic range pictures ideal for color grading. Plus, a LUT Display function assists your exposure and helps to show directorial intent (e.g., use V-logL to Rec.709 LUT for an HDTV look). HDR (High Dynamic Range) is a mode to reproduce both the bright parts and dark parts of an image, making it look just as the human eyes see it. You can choose Hybrid Log Gamma (HLG) in Photo Style.
Multiple Aspect Ratios —LUMIX GH5S Exclusive!
The LUMIX GH5S sensor handles multiple aspect ratios; 4:3, 17:9, 16:9 and 3:2. Thanks to broad margins of effective pixels, focal length does not change in these aspect ratios. Available for still photography, 4K and C4K video, and in Anamorphic mode, this function allows you to fully leverage the angle of view of the lens for truly stunning image expression!
Max. 10x Slow Motion Video
To elevate video expressivity even further, a variety of effects are available on the LUMIX GH5S. The VFR lets you record overcranked / undercranked videos in C4K/4K (60-fps maximum 2.5x slower) or FHD (240-fps maximum 10x slower) quality. The minimum frame rate for quick motion effects video is 2-fps.
4:2:2 10-bit HDMI Live Output and Simultaneous Internal Recording
The LUMIX GH5S is capable of 4:2:2 10-bit real-time image output to an external monitor or recorder via an optional HDMI cable (full-size TypeA), while simultaneously providing an internal 4:2:2 10-bit recording. It is suitable for professional video making that requires accurate monitoring of the imagery or high-quality recording to external codec devices (such as ProRes).
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Потрясающая чувствительность
Не ограниченная по времени запись с разрешением C4K/4K 60p/50p. Захватывающее качество снимков в условиях низкой освещенности благодаря новому продвинутому сенсору. И универсальное фокусное расстояние благодаря возможности записи с разными соотношениями сторон. Беспрецендентное качество видеозаписи и высочайшая светочувствительность за всю историю камер Lumix позволяет запечатлить весь мир - и изменить его.
Абсолютная светочувствительность - новейший сенсор
Камера Lumix GH5S обладает самыми высокими показателями светочувствительности и беспрендентным качеством изображений за всю истонию Lumix.
4:2:2 10-битная запись на внутреннюю память
Камера Lumix GH5S обладает революционной функцией записи C4K/4K-видео в формате 4:2:2 10-бит. Например, 10-битная запись позволит передать все нюансы вечернего неба и заката без образования полос, что характерно для 8-битной системы.
Выбор из нескольких соотношений сторон - Эксклюзавная функция камеры
Сенсор Lumix GH5S поддерживает различные соотношения сторон (4:3, 17:9, 16:9, 3:2). Благодаря расширенному диапазону эффективных пикселей, фокусное расстояние при указанных соотношениях сторон остаётся неизменимым. Будучи доступной при съемке фотографий, видео в разрешении 4К и C4K, а также анаморфном режиме, эта функция позволяет извлечь все преимущества из угла обзора используемого объектива и добиться действительно впечатляющих кадров!
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